CRAFTS
The DNA of the brand is rooted in a constant tension between tradition and innovation.
I chose to collaborate with associations that continue to guard the ancient art of tombolo; a craft that has traveled through centuries and now breathes again in a contemporary landscape.
This is not nostalgia, nor mere folklore, but an act of resistance: every thread woven is at once a gesture of remembrance and a promise to the future.
Alongside this dialogue with tradition lies the search for materials capable of redefining the very concept of fabric: sustainable fibers derived from marble, transforming solidity into lightness, or yarns inspired by the protein of spider silk, where strength coexists with an appearance of fragility. In this way, innovation and memory become part of a single narrative.
Even the packaging embodies this philosophy: crafted entirely by hand by a woodworker, it is not merely a container but an extension of the project itself. It stands as proof of how the brand values not only sartorial techniques but also the crafts deeply rooted in local territories.
The time required by these processes is not an obstacle, but a virtue. Perfect copies do not exist; every creation carries small variations that make it unrepeatable, marked by the human touch. What is born is not an object to be owned, but a living fragment of history.
Time is not just part of our process — it is part of our way of interpreting fashion. It is the element that allows each creation to reach the highest level of value and craftsmanship. Depending on the technique and the hands involved, every piece requires its own rhythm, with waiting times starting from three weeks. This pace ensures uncompromising quality, while avoiding waste and resisting mass production. It is a conscious choice, one that speaks to those who value artisanal techniques and authenticity, rather than speculation or fleeting trends.
FABRICS
The fabrics I choose are born from transformation.
They come from elements that seem distant from the idea of clothing — lotus, marble, spider silk — yet each of them carries a story of patience, resistance, and balance.
Lotus silk grows from water and light, a material that breathes like a memory.
Marble fabric is shaped from dust and stone, fragile and eternal at the same time.
The fiber born from spider silk is strength disguised as delicacy, a thread that reminds us that fragility and power can share the same body.
Working with these materials means listening to what nature allows and technology refines. It means seeking harmony between what is ancient and what is possible, between intuition and research.
I am drawn to fabrics that do not simply dress the body, but reveal the invisible relationship between matter and meaning.
Each one holds a fragment of time, and a quiet question about how we choose to exist within it
